» feeelings

27

Dearesx,

feeelings is absolutely thrilled to invite you to

Having purple eyes

A performance by Diana Duta

Music composed live by Matthieu Levet

on Saturday 27th of October at 7.30pm.

~

Also very happy to inform you that the performance will be held in our new space at this address :
Rue de Liverpool, 24

1080 Molenbeeek.
This will be the occasion to celebrate our second Grand Opening and feast con violet frozen margaritaz.

So very looking forward to see you.

~~~~

“Questions, more information, and the pursuit of truth, through different readings, echo to fill these spaces. Fiction is not allowed in – and if it does enter, it enters via wandering thoughts upon hearing someone pulling on their zipper, or the sound of a phone ringing in a near-by room. You wonder if all the rooms on this floor are identical and are also void of anything on the walls – I’m sorry, could you repeat the question? – you ask this but you’re really focusing on how muffled the pacing footsteps sound on this carpet.”

Having purple eye is a true story, captured through interactions in the legal system. Based on scattered memories of human encounters in courts, police stations, waiting rooms and corridors, and notes collected by Diana Duta during her time working as an interpreter.
With the voices of: Liberty Baverstock, Paul Haworth and Alice Pamuk.
Additional text by Rachel Carey.

17

feeelings

Simon Asencio

Memes, Subjectivity Transferences

Launch May 17th 18:00
Transferences by appointment from May 18th

Dear,

Hope all is well since our last meeting.

I had mentioned to you some project I had in mind while in Jerusalem and possibly involve you (or parts of you).

The project is entitled Memes

From the idea that the self is not given to us, I think that there is only one practical consequence: we have to create ourselves as works of arts. The I here is Michel Foucault’s, in an interview given for Vanity Fair.

Techniques of the self weaving the fabric of subjectivity; sculpted subjectivities moving across bodies.

A biography is considered complete if it merely account for six or seven selves, whereas a person may well have as many thousands. I keep returning to this disclaimer from Orlando‘s biographer.

I will try here in my role as biographer to account four different persons: a liar, a thief, a chameleon and a stylist. (You may start understanding the reason I am writing this to you..)

The material of these biographies will be used as subjectivity influencers, as tangible memes for intangible outcomes.

Perhaps readership can embark several bodies within one I. Perhaps, reading or giving voice could be a way of wearing a temporary costume of selfness, inhabiting subjectivity like a fiction or simply enabling transference.

I don’t want to under-estimate the power of transference or the magick of text —as this could potentially change someone’s psyche. And so this might require to be handled with a certain care, discretion even.

I look forward,

xoxo

Simon

18

feeelings

Simon Ascencio, Jane Fawcett, Eleanor Weber and Cave Club with Eugénie Zely

Cuz Words @Triangle France in Marseille

Readings and performances in two sites of Marseille

14h : Plage des Catalans, 13007 Marseille // bus 81 / 82 / 82S, arrêt: Plage des Catalans

18h : Triangle France, Anouchka Oler Studio 2Y1 at La Friche Belle de Mai : 41 Rue Jobin, 13003 Marseille.

08

feeelings

08/07/2017 to 31/07/2017

Jane Fawcett

A Bar - Open in the evenings for drinking

29

feeelings

Bitsy Knox and Julien Meert

Om cold blood

The performance will start at 10PM.

26

feeelings

Carlotta Bailly-Borg and Feiko Beckers

To Cover And Decorate

The performance of Feiko Beckers will start at 8PM, be there !

05

feeelings

Aukje Koks and Filarowska

Mo ma me mi mu you me, me you.

Drawings by Aukje Koks
Spoken text by Filarowska

Please keep in mind that the performance will start at 20.30 sharp.

31

feeelings

Maya de Mondragon and Audrey Gleizes

SOUBUMBRA, Blind spot mirror

The performance will start at 20h20 sharp, when the sun sets.

14

feeelings

Toon Fibbe

Ghosts, Games & Gambling, An evening of playing cards and speculative hauntings

Join feeelings for a night of gambling games and ghostly appearances. We’ll play gambling games using a reproduction of a deck of cards that was designed for The Great Mirror of Folly – a 1720 book of Dutch of satirical plays and prints made in direct respons to the first international stock market crisis in history. With these cards we’ll play the games Lanterloo and Speculation – both games that were played at the time these cards were made.

Amidst the gambling we’ll conduct a seance, taking cues from The Great Mirror of Folly in which on numerous occasions ghosts and other unearthly creatures spur economic activity. Economy has always shared affinity with the ghostly, visible in the book and cards, but also in the way we attempt to comprehend economic processes by making use of metaphors such as invisible hands. By using the deck of cards we’ll try and find out what kind of ghosts are roaming at feeelings.

04

feeelings

Liv Schulman

presents Control season 3

feeelings is pleased to invite you to an evening of binge-watching season 3 of Liv Schulman’s tv show Control. Liv made a special edition of DVD’s that will be released this night too. We’re really excited and hope you’ll come along as seeing Liv Schulman’s brilliant and witty videos was a clear highlight in dark 2016.

Shot in different places and cities Control is a television series on art and writing in which a recurrent character, a sort of detective wanders between episodes attempting to establish new relations of meaning.The sole protagonist, played by different actors and actresses, is a detective taken straight from a detective novel. The commonplace of this cynical figure of the detective acts as a discourse-producing tool; considerably astray in a maze of stories whose meaning has been forever lost, he/she incarnates a person who has access to hidden facts, invisible systems, and the occult parts of the world, and imparts his/her paranoid conclusions in a disillusioned way. The antihero of Control who has lost his bearings in peripheral zones left to their own devices. In Control, the figure of the detective offers long-winded speeches, interchangeable ventriloquist-like ectoplasms of those dislocated monologues which borrow from the vocabularies of art, liberal economics, critical theory, and psychotherapy. Merging with one another, these distinct forms of discourse become absurd and crazy tools of a paranoid interpretation of the social world, based on the alienation of bodies, the devaluation of identities, and the complexities of desire for meaning.